All posts in Record
Ascending into partial memories, in a new half-hour tape on Reckno.
Self-reflection in solo electric guitar, and a delicate rouse from four years of silence.
Paul Thomsen Kirk re-purposes dance music’s infinite return as a purgatory for the dark, the suppressed and the forgotten.
Gestures I can never know, courtesy of double bass, guitar and drums.
Songs of fluidity and porosity for piano, voice and the coming and going of memory.
Guitars and drums used as they shouldn’t be, in a super live interchange recorded at the Hara Museum in Tokyo.
One part profound percussive study, one part earthquake prophecy.
An intermingling of unconscious place and hidden intention, weaving musicality and memory into field recording fabric.
Chameleonic vocal improvisation, spread across five live performances at various venues.
Microtonal flowers and the throb of stasis.