Drones and tones are coaxed out of the rustle of field recordings in this 36-minute piece on Ahora Eterno.
Review: Nils Frahm – Felt
The German composer explores the intimacy of the night in his latest full length on Erased Tapes.
Review: Benoît Honoré Pioulard – Plays Thelma
American musician Thomas Meluch gives rise to the ambience of the land and sea.
Review: Pascal Savy – Liminal
Four brief cuts of reclusive electronic ambience on the Feedback Loop label.
Review: Alexander Berne and the Abandoned Orchestra – Flickers of Mime / Death of Memes
Elaborate soundscaping from composer Alexander Berne in his latest double-album on Innova.
Interview: White Hills
Prior to their stellar set at SUPERSONIC FESTIVAL last month, Dave W. of White Hills spoke to ATTN about their recent European tour and their latest album, Hp-1.
Interview: Martin A. Smith
Prior to his “Written on Silence” exhibition at GV Art gallery – running from 24th to 26th of November – Martin A. Smith spoke to ATTN about the themes behind the exhibition, and its execution within a gallery context.
Review: Broken Harbour – Gramophone Transmissions
Canada’s Blake Gibson explores illuminative grandeur and hideous darkness in his latest CDR.
Review: Dean McPhee – Son of the Black Peace
Tranquil composition for solo guitar in the UK-based virtuoso’s latest full length.
Review: Thorsten Soltau + Preslav Literary School – Grün wie Milch / Alamut
Musique concrete and Bach drones meet in a picture disc split on Corvo.
