All posts in Record

Review: Rhonda Taylor – AFTERPARTY

Augmented improvisations for saxophone at voice. The definitive shedding of the past / the acquisition of an unknown state of being.

Review: Holy Similaun – Ansatz

Violence sprouting from a ravaged metropolis.

Review: Jen Kutler – Sonified Physiological Indicators Of Empathy

Bursts of violence / jolts of compassion.

Review: Mira Martin-Gray – Stick Control For The Air Drummer

Perfectly-executed snare drum drills via MIDI data and 808s.

Review: Cecilia Lopez + Wenchi Lazo – BISPONIBLE

Rolling around the coloured dyes of trial and error.

Review: Dagmar Gertot – Os Lacrimale

Ritualistic history, via the shapeshifting renewal of improvisation.

Review: Helena Ford – Wir Brauchen Angst. Und Schade

Non-input feedback sculptures. Two hours of taut liminality.

Review: UAN0001


Review: Dakn – too low, too far

Circuitry rendered audible through damage.

Review: Nemeton – Mantra For A Falling Leaf

A polyrhythmic duophonic sequence on a Moog Subharmonicon synthesizer, with a very slow clock, using just intonation.