All posts in Record
Review: Rhonda Taylor – AFTERPARTY
Augmented improvisations for saxophone at voice. The definitive shedding of the past / the acquisition of an unknown state of being.
Review: Jen Kutler – Sonified Physiological Indicators Of Empathy
Bursts of violence / jolts of compassion.
Review: Mira Martin-Gray – Stick Control For The Air Drummer
Perfectly-executed snare drum drills via MIDI data and 808s.
Review: Cecilia Lopez + Wenchi Lazo – BISPONIBLE
Rolling around the coloured dyes of trial and error.
Review: Dagmar Gertot – Os Lacrimale
Ritualistic history, via the shapeshifting renewal of improvisation.
Review: Helena Ford – Wir Brauchen Angst. Und Schade
Non-input feedback sculptures. Two hours of taut liminality.
Review: Nemeton – Mantra For A Falling Leaf
A polyrhythmic duophonic sequence on a Moog Subharmonicon synthesizer, with a very slow clock, using just intonation.