Archive for July, 2015
Bedtime song valiantly persists amidst the thickening haunt of improvisatory ghosts.
Upon the release of her new record Once Upon A Dirty Ear, MacGillivray discusses Highlandness, Eager Doom and sound drowning itself.
Limelit intimacy and contemplation; a two-disc set of chamber works by the American composer.
Distress as phlegm, wheeze and sharp breath, in a new set of vocal improvisations.
Bodily excavation for bass guitars, grim and resolute.
Toxic belches and dumpster rhythms – dance music assembled from discarded electronic waste.
Solo classical guitar, whose form and behaviour changes under the lens of repetition.
Intention en masse and the tease of premeditation: an improvised (?) collaboration between double bass, cello, clarinet and saxophone.
Two vivid harsh noise pieces: one as rainfall, the other as water submersion.
The violent twitches of incubation and inevitable death.