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Bethan Kellough

Feature: Review of 2016

Feature: Review of 2016

I realise this is coming out three weeks into the new year. That’s partly deliberate. While I’d intended to get this online within the first 10 days of 2017, I knew I couldn’t compile a proper retrospective without breaking free from 2016 first. Being impulsive and somewhat

Interview: Bethan Kellough

Interview: Bethan Kellough

Aven needs to be heard both quietly over headphones and loudly over speakers. Through headphones, the 27-minute piece unveils Bethan Kellough’s wondrous capabilities as a sound sculptor, slotting violins amidst field recordings of turbulent weather and placid currents of water, with sounds subsuming others like pebbles engulfed by clasping