The blur of obliteration and assembly. A 30-minute synthesiser collage by Thierry Arnal and Sophie Jeannin.
Minimalist pop hung carefully upon silence.
Electronic dazzle and fragile unity.
Exercises in sonic tactility, generated on an array of analogue synthesisers.
Volcanic psychedelia, flanger sweep obsessions, monuments in the mountains. The musician, poet and teacher discusses three important albums.
Drones, jittering microsound, contradictory modes of time.
Giddy tilts on the American Southwest. Improvisations for percussion and saxophone.
Listening to assholes, inner/outer presentations of self, power chords over trap beats. The Texas-based artist discusses three important albums.
Repetition wielded as adhesive-by-force.
Piano, cassette, sampler, ambiguity, transit.