CONTROVENTO / STALLO / MOVIMENTO Marie e le Rose remarks that this trittico (three-part operatic suite) is partly a tribute to their favourite GRM musicians and an attempt to channel their “compositional thinking”. This is apparent in the precise movement of electronic sound – how they dart around the listener’s head – with
FALT. The electricity is fresh and harsh. Boiling hot and jagged at the edges. PHASE is a documentation of now, here, devoid of mediation, devoid of the corrective measures of overdubbing and re-recording, devoid of softening echoes and abstractive FX chains, devoid of the cooling effect of excessive human touch.
“We live in a world of musical undo and versioning.” – R. Henke This quote sits atop the Bandcamp release description for Collagen. Of course, undo and versioning are the primary symptoms of digital music in the modern age: the transience and potential rearrangement of cloud-stored files, the infinite production scrutiny