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Liminal Noise

Interview: Jelena Glazova

Interview: Jelena Glazova

Jelena Glazova came to my attention just last month, following the release of her split release with fellow Latvian artist Marta SmiLga. As soon as I learned that her music uses the voice as primary source material, I started to hear these sounds – streams of bad wiring, alien glissandos, foams

Review: Jelena Glazova + Marta SmiLga - Split

I take so much from Jelena Glazova’s notion that her music, generated primarily from manipulated vocal sounds, is a form of “expressing unpronounced speech”. These phonemes are more than just abstracted sonic shapes. They are momentary moulds of the mouth that made them, spat out in three dimensional negatives

Review: Bird People + Waterflower - Split

In amongst the chimes of cymbals and the soft clang of singing bowls, I can hear Bird People rustling uncomfortably: knees shifting in readjustment, floorboards depressing and popping. Synth tones bore further into my head than feels comfortable, while accordions take the kind of curt breaths that prelude a panic