Curious sound.

Subscribe

Matthew Sergeant

Feature: Review of 2016

Feature: Review of 2016

I realise this is coming out three weeks into the new year. That’s partly deliberate. While I’d intended to get this online within the first 10 days of 2017, I knew I couldn’t compile a proper retrospective without breaking free from 2016 first. Being impulsive and somewhat

Live: 290516|MS[k]|TRw (Matthew Sergeant/Emma Lloyd + Tom Rose), The Yard Theatre & Club, London, 29/05/2016

Live: 290516|MS[k]|TRw (Matthew Sergeant/Emma Lloyd + Tom Rose), The Yard Theatre & Club, London, 29/05/2016

I imagine a gigantic pane of glass. I’m on one side, Wisty is on the other. Tom Rose’s new installation is playing over a hardy-looking set of nightclub speakers (the sort designed to stay intact during gigantic throbs of techno), spilling into a space occupied by a bar

Interview: ddmmyy (Tom Rose + Matthew Sergeant + Emma Lloyd)

This coming Sunday (May 29th), composer Matthew Sergeant will be presenting his installation/performance “[kiss]” at the Yard Theatre & Club in London. The piece consists of a 4-5 hour violin performance that skirts the perimeters of pitch and audibility; a thin, extended strand of glitch and friction between twine bow