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Review: Sult – Always I Gnaw

Review: Sult – Always I Gnaw

Three ferocious exercises in improvisatory vigilance for guitar, bass drum and contrabass.
By Jack Chuter Aug 11, 2023
Review: Aaron Rosenblum – State Fair! Vol. 1: The Midway

Review: Aaron Rosenblum – State Fair! Vol. 1: The Midway

Three attraction operators in full theatrical flow, captured at the Kentucky State Fair back in 2013.
By Jack Chuter Aug 4, 2023
Review: Nandele & A-Tweed – Xigubo

Review: Nandele & A-Tweed – Xigubo

Colonial resistance derived from Zulu and Mozambican cultures is whirled into dizzying sound design and techno vigour.
By Jack Chuter Jul 27, 2023
Review: Lucie Vítková – Cave Acoustics

Review: Lucie Vítková – Cave Acoustics

Sound cradled in the grand echoes of churches and caves. Reflections on family, grief, legacy, transformation.
By Jack Chuter Jul 17, 2023
Review: Secret Flight – S/T

Review: Secret Flight – S/T

Brittle fantasies for voice and electronics. Rising, falling, rising again.
By Jack Chuter May 31, 2023
Artwork for the record, with an abstract image of a grey mountain against a

Review: Oishi – once upon a time there was a mountain

Uncanny kinships between tape and laptop, in the debut release from Zheng Hao and Ren Shang.
By Jack Chuter Apr 21, 2023
The album artwork for body of immanence by Ni Zheng, showing a body on the floor covered in a thick black liquid.

Review: ni zheng – body of immanence

Grim and claustrophobic electroacoustics.
By Jack Chuter Mar 6, 2023

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