ELEANOR CALLAGHAN LIVE AT BECHDEL #1 - PHOTO BY AGATA URBANIAK

Interview: Bechdel

ELEANOR CALLAGHAN LIVE AT BECHDEL #1 - PHOTO BY AGATA URBANIAK
THE TAPE MACHINES OF HOWLROUND - PHOTO BY HELEN FROSI
THE TAPE MACHINES OF HOWLROUND - PHOTO BY HELEN FROSI
"NIBIRU" BY MARISKA DE GROOT

Interview: Mariska De Groot

"NIBIRU" BY MARISKA DE GROOT
PHOTO BY TANEL TERO

Interview: A.R.Kane

PHOTO BY TANEL TERO

Review: The Overtone Ensemble – S/T

Shrill metallic microtones. A restless junction of collision and consequence.

Review: Mammoth Ulthana – Particular Factors

Earthly percussive resonances, puppeteered by the higher self.

Interview: Bechdel

ELEANOR CALLAGHAN LIVE AT BECHDEL #1 - PHOTO BY AGATA URBANIAK

A conversation with the organiser behind Brighton’s bi-monthly, female-focused event series for experimental sound.

Review: Brian Case – Tense Nature

12 petri dish specimens of slowly mutating loop.

Review: Architeuthis Rex – Stilbon Is Dead

A teetering tower of drone, rhythm and insatiable curiosity.

Live: Full Of Noises Archive Night #1 – Howlround + Ingrid Plum + Sybella Perry & Iain Woods + Helen Petts

THE TAPE MACHINES OF HOWLROUND - PHOTO BY HELEN FROSI

Misplaced voices, memories by the shoreline, tape machine séance. Cumbria’s Full Of Noises festival presents a night of experiments and suspended understanding.

Review: Juan Antonio Nieto + Metek – Umber

Painting landscapes with different shades of emptiness.

Interview: Mariska De Groot

"NIBIRU" BY MARISKA DE GROOT

As part of our FORT PROCESS PREVIEW, the optical sound artist talks about mechanical resistance, inventors from the ’20s and feeling like a nutty NASA professor.

Review: MJ Guider – Precious Systems

Beautiful songs for drum machine, bass guitar and voice, shrouded in echoes of grit and irrefutable truth.

Review: Jeph Jerman – 34°111’3″N 111°95’4″W

Stale air, loose panels, rusted blades. The Slovakian artist visits an abandoned windmill in Lucenec.