To continue our SUPERNORMAL FESTIVAL PREVIEW, Matthew Lovett talks about post-sonic improv and fuzzy humans in the context of Field Sports: an improvisatory trio completed by Ian Watson and Jimmy Ottley.
Semi-solid holograms of gooey, three-dimensional electronics, hung in a stasis of queasy equilibrium.
An album based on recordings of the M3 motorway, and an observation of its illusionary eternity.
A three-hour collection completed in a single month, built upon forgotten track sketches from the past four years.
Michael Bjella bends back the mechanisms within piano and drums, in a turbulent demonstration of the agony within primal transformation.
Eric Frye pursues the static algebraic patterns within the fluidity of bird modulation, in a record that blurs the line between organic impulse and calculation.
A stereo adaption of Novak’s durational audio-visual performance presented at Human Resources in Los Angeles, and a wonderful sonic handling of temperature and sensory disconnection.
Sound college of haphazard necessity, in a new album by Athens’ Yannis Kotsonis.
An 83-minute evaporation of foundational belief, as the illumination of open-ended drone starts to emerge within the terminal twilight of doom.