The Portland-based artist discusses extreme honesty, dragging the microphone and her record “My Home In The Year”.
Review: Kate Carr – I Ended Out Moving To Brixton
A bustling, 41-minute contemplation on listening, understanding and occupancy.
Review: Loose-y Crunchè – Unruly Top
Hydraulically enacted Morse code. Keyboards crushed against the limits of stereo.
Review: Trrmà – S/T
Fractured civility for percussion and spluttering synthesiser.
Crucial Listening #21: Mark Fell
Synth jams in the coal shed, collective escape, drum machine rebellion. The Sheffield-based artist discusses three important albums.
Interview: Chaines
Cee Haines discusses sun-drenched cathedrals, their work alongside the LCO and new album, “The King”.
Review: Slobodan Kajkut – DARKROOM
Empty concrete. Clarinet, vibraphone and drum machine doomed to eternally misalign.
Review: Soft Blade – Zerkalo
Bomber jet bass lines and synthesiser scanning like searchlights. Sub-zero surveillance techno.
Interview: Siavash Amini + Matt Finney
A melding of heart and guts. The Iranian sound artist and American vocalist discuss their new collaborative work: “Gospel”.
Review: Yair Etziony – Deliverance
Grey shapes in different choreographies. Awaiting liberation.