All posts tagged Editions Mego
Waves of timelessness, electromagnetic chandelier recordings, Minilogue improvisations. The Nairobi-based sound artist discusses three (well, four) important albums.
Pigs in shit, breezy French vibes, humorous absurdity. The Australian composer and multi-instrumentalist discusses three important albums.
Rhythmic sound design that pulls from the periphery.
Have any of these machines been tested before?
A feedback loop of escalation and engulfment from Oren Ambarchi (drums), Stephen O’Malley (bass) and Keiji Haino (guitar/synth/noise).
The latest monophonic, mechanical extraction from the pseudo-archives of R.B.
Rhythm takes COH and ATTN into a sub-reality airlock of lust and inconsequence.
The Austrian-born musician talks about how new album Bécs completes the Mego circle that started back in 1997, and how live performance pushes his music into dangerous and exciting uncertainty.
A new collaboration between Stephen O’Malley and Mika Vainio, exploring darkness, confinement and illusion.
An experimental libretto finds itself merged with Hecker’s hand of obscuration and distortion, in a new work presented in three languages.