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Review: Slobodan Kajkut – DARKROOM

DARKROOM begins with the sound of circulating air. Winds probing the corners of barren corridors. It’s the sort of hiss that can incite hallucinations if one dwells within it for too long: traces of human voice, the rasp of passing traffic. Before too long I realise that I am

Review: Adam McCartney – OEK

“The name [OEK] is a reference to the Tuvan word for yurt, or quite simply to the idea of home.” When I contemplate how “home” might be articulated through music, my mind lazily skips straight to held major keys. Unambiguously positive, reassuringly consistent sounds. A refuge from the unmediated turbulence

Review: Morton Feldman - For Bunita Marcus

Is Lenio Liatsou playing the piano, or tilting it back and forth until notes tumble out? The piano pitches come one at a time in a methodical drip, overlapping eachother through dimming trails of sustain. Each note bounces off the last at a precise and beautiful angle, timed so that

Review: kajkyt - II

II achieves a really strategic form of intimidation, like a cluster of concrete pillars sparingly arranged so as to block out the entirety of the sun’s circadian trajectory. I’m reminded of Godflesh for the record’s repressed violence; the sense of the seething unspoken, reduced to internalised revolts