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Jack Chuter

Jack Chuter

Feature: Review of 2022

Here are a handful of records I enjoyed last year. Yara Asmar – Home Recordings 2018-2021 (Hive Mind Records) The debut album of the Beirut-based puppeteer/video artist/multi-instrumentalist, built on recordings captured on cassette and mobile phone. These tracks hang on the edge of wakefulness, with the edges of diurnal

Crucial Listening #119: Yara Asmar

Crucial Listening #119: Yara Asmar

Heart wrung like a towel, Skullcandy bass, the magic of music boxes. The Beirut-based multi-instrumentalist, video artist and puppeteer discusses three important albums.

Crucial Listening #118: More Eaze

Crucial Listening #118: More Eaze

Visions of hell/paradise, two G's in eggs, bizarre lemonade. The composer/multi-instrumentalist from Austin, Texas discusses three important albums.

Crucial Listening #117: Phillip Golub

Crucial Listening #117: Phillip Golub

Vocal imitation games, aural cocktails, jazz-adjacent ingenuity. The New York-based composer and pianist discusses three important albums.

Review: Baltic Furs – Contemporary Ruin

Review: Baltic Furs – Contemporary Ruin

Hauled together in the rubble of post-apocalyptic shock.

The artwork for Egg Meat's self-titled EP, with a picture of a mouth placed between chunks of plaster mould and spit.

Review: Egg Meat – S/T

Atomised matter. Blackout in the club.

Crucial Listening #116: Julian Sartorius + Feldermelder

Crucial Listening #116: Julian Sartorius + Feldermelder

Too-short tracks, dying melodies, birds mimicking electronics, the highest organ note. The musicians and collaborators discuss their important albums.